Monday, 18 December 2017

A Bad For Good interview with Neil Bailey

When I was putting together the paperback collection of the first two Barclay & MacDonald novels I asked my cover photographer Tina Pugh if she could conduct an interview about the second book to be included as an 'extra' in the omnibus. Here it is for those who haven't got the printed book:

Tina Pugh: Was writing a sequel easier or harder than your first book? 

Neil: It was difficult at first and I wrote plenty of different opening chapters before I got Claire’s voice right in my head again. Once I had that though the writing flowed relatively easily. I had received plenty of reader feedback on what they had enjoyed in When She Was Bad and that was a great motivation for the second book. 
The tricky thing was to find a story that would work with the characters but would not feel like just a predictable retread of the first book. I also needed to resolve a few of the unanswered questions from the original story. I hope that the two together make a satisfying whole in the omnibus paperback, Barclay & MacDonald.

Tina: We certainly learn more about some characters in this book, Barclay and TNT in particular.  Did you always know their back story or did you have to create this whilst writing book two? 

There was a lot of Claire in book one so it was time to look at the others. I had most of Barclay’s back story mapped out when I was writing When She Was Bad. For example, I’d worked out the whole ‘ransomware’ scam he attempts and knew that its failure would almost bankrupt the family and be the reason for the breakdown of his relationship with his father. He’s not the same thoughtless man that we met at the start of book one – Claire has changed him – and his past (as told by Green) is a flashback to the pre-Claire, self-obsessed Barclay and it’s quite shocking. 
I had no back story for TNT whatsoever – he was just a throwaway, a one-dimensional character I didn’t really think about. But he was fun to write and subsequently proved to be one of the most popular characters in the book. I wrote three or four different versions of his back story before I was happy with it. The puppy was the clincher.

Tina: Did publishing your first book change your process of writing?

With the second book I was writing for an audience, which is more challenging that writing just for yourself. I had to be more professional; if people are good enough to give me several hours of their time I mustn’t let them down with an ill-conceived story or lazy writing. Rule number one: never let the readers down - they trust you, don’t disappoint them or waste their time.

Tina: What was your hardest scene to write?

Without a doubt, TNT’s back story. It needed it to be amusing rather than comedic, sad but not tragic, and I really wanted the readers to feel a little like Claire, a bit guilty about how they’ve judged him on his appearance alone. It was rewritten dozens of times before I was happy with it.

Tina: You seem to have a lot of knowledge of what happens when a bullet enters a person.  Did you go on your own Willoughby firearms training course? 

Originally this book was going to be about Barclay quitting the blackmail game and exploiting Claire’s shooting skills by hiring her out as a ‘hitman’. I’m not into guns in the slightest but wanted to get things right and spent hours on a gun range in Bisley with my friend Alan Ward, who is an incredible marksman and top bloke to boot (albeit a little scary at times). Some of things he told me made my blood run cold and changed the story I had for this book completely. I realised that Claire would never willingly fire a gun if she knew the real damage a bullet did and that Barclay’s plan to have her ‘aim to maim’ was a fantasy. She’d never agree to be a hitman, but her reluctance to fire a gun could ultimately prove to be her downfall. It creates a nice tension between the two of them, too.

Tina: You broke your ankle last year and were on crutches for months. Did this impede your research and progress on the book?

It didn’t help! Most of the research was completed before my accident, but I did plan to spend some time on a Bonneville. Sadly, that never happened. Maybe next time.

Tina: What’s the most difficult thing about writing characters from the opposite sex? 

I find it easy, to be truthful. Readers were complimentary about the female characters in book one so I hope they’re still convincing. My three ‘early readers’ are all women so that acts as a safety net before it goes into print.
Writing young characters is actually more of a challenge as I often make references a 26-year-old wouldn’t know, let alone the teenager Dawn. Fortunately, the editors on both books spotted these and they don’t make the final draft.

Tina: Are some of the characters based on people you know?

Not really, but I do lift certain characteristics or speech patterns. TNT’s physical appearance is an exaggeration of someone I know in New York and Anderson Andersonn is a combination of several people I used to work with. My mum says ‘whatnot’ a lot, and Claire says that a fair bit. I do know a ‘Wardy’ but he’s absolutely nothing like the Owen Ward here. Oh, and I’ve a friend who’s a jogger with a schnauzer and his wife buys far too many shoes!

Tina: How do you feel now you have published two books? And does writing energise or exhaust you?

There’s a sense of achievement but I know I can write better. I think the second is better than the first and the third will top them both. The best feeling is when I write something, have no idea where it has come from and it makes me smile. That’s energising.
The re-drafting and editing processes are necessary but tiring.

Tina: A few general questions now so we can find out about you. What authors give you inspiration to write? 

Believe it or not, bad ones. Great writers intimidate me with their skill and imagination but a badly-written best seller is massively inspiring.

Tina: What’s your favourite under-appreciated novel?

Larry McMurtry’s Lonesome Dove is my absolute favourite novel of all time and has characters who will live in my heart until the day I die. It won the Pulitzer Prize so it’s hardly under-appreciated but it is almost unknown in Britain.

Tina: What authors did you dislike at first but grew into?

When I was at school I wasn’t clever enough to appreciate John le Carre and found his novels confusingly obtuse – I wanted my spy novels to all be James Bond - but now I’m in total awe of his writing. I’m re-reading them and they’re wonderful. 
J K Rowling’s Harry Potter books left me stone cold but her Cormoran Strike novels are thrilling and beautifully written.

Tina: Do you read your book reviews? How do you deal with bad ones?

I do read them, and the good ones help me through the dark times when I have serious doubts that I can write. With a poor one I’ll take it really, really badly and sulk for weeks. To date though, they’ve all been very positive so it’s not something that I’ve really had to deal with yet.

Tina: Do you suffer from writer’s block?

Writing can be hugely frustrating but if you accept that some days the words come far easier than others then stumbling into a ‘block’ isn’t that bad. Once you have the characters you can usually work stuff out. 

Tina: Finally, will you go for the trilogy?  You left a lot of cliffhangers and I’m sure readers would like to know what happened to Wardy, TNT and Barclay himself.

It’s Claire I’m most worried about…

Wednesday, 27 September 2017

Coming in 2018

A quick update on how my books are selling and what I’m planning next.
The amazing news is that the downloads and paperback sales for the Barclay & MacDonald books When She Was Bad and Bad For Good have now topped 1,500 copies. Incredible. Thank you so much.
What is more, the number of Kindle downloads for both books soared through the summer which is great news, and paperback sales were strong, too. New reviews have been positive but I can never have too many – please review my books on Amazon and Good Reads if you have a moment as it’s the best way to get new readers.
Over the summer I’ve started writing the first draft of my next novel, The Ghost’s Story. It’s a standalone thriller (no Barclay or MacDonald this time) and I plan to publish it next year. Here’s the briefest of outlines to whet your appetite:
‘The Ghost’s Story chronicles the death and life of journalist Adam Graves. It begins with his murder in a brutal hit-and-run incident that leaves the police baffled, but although Adam may be dead, his spirit finds that it cannot rest in peace until it solves the mystery of who killed him and why. As his body is laid to rest, Adam’s bewildered ghost travels through his past, revisiting the dramatic events that ultimately led to his untimely death.’
As you can see, it’s quite different from what I’ve written before.
I wrote a possible opening for book three over the summer and (this is exciting!) it will be appearing in a Penguin anthology shortly. I’ve uploaded these first pages as a PDF, so click here if you want to see how the earliest draft began. I’ve already rewritten these chapters which means this ready-for-Kindle download is an exclusive - most of it won’t be in the published book.
Let me know what you think.

Friday, 30 June 2017

Six signed copies of the new Barclay & MacDonald paperback up for grabs!

My new paperback Barclay & MacDonald is available now on Amazon and through select retailers worldwide. It contains the first two novels, ‘When She Was Bad’ and ‘Bad For Good’, plus an exclusive interview with me and an extract from ‘Bad Timing’, the third book in the series. Not bad for the ridiculously low price of £10.99. Go on, it’ll look great on your bookshelf, you know it will…
If you’d like a chance to win one of six signed copies I’m giving away, all you have to do is post a review of the second book, ‘Bad For Good’, onto or and I’ll draw six lucky winners from the reviews that appear before July 31st.

The lucky winners for July are: Bob R, Jon F, Dionne B, Mark G, Kevin L and Mrs TMP. Copies on their way, folks!

Sunday, 25 June 2017

New Barclay & MacDonald paperback

I’m being asked by readers when they can expect the next Barclay & MacDonald book. The good news (although it's a bit of a cheat) is that there’s a paperback collection of the first two novels out now, which has both books in full plus a couple of exclusives: an interview with me about writing Bad For Good and the prologue for Bad Timing, which is the working title for the third book in the series. It is available to buy from Amazon and some of the finest bookshops.
The main reason for the collection is to make the print version more affordable - the cost of the paperbacks is as low as Amazon permit but combining the two in a single volume and slightly reducing the type size means the paperback is shipping for just £10.99 (buying the two paperbacks separately costs £15.98). (I won’t be publishing the omnibus collection as a Kindle eBook as Amazon are selling both eBooks for £3.89 at the moment, which makes adding another edition a little pointless.) 
Jen’s done great covers on all the books but I think this one is the best yet. Tina Pugh took a fab moody photo of the Greenwich foot tunnel for us and it adds a really atmospheric look to the book.
As to the publication of the next in the series I don’t have any firm dates yet as I’m still at the ideas stage. I start a new course with Random House this week which I’m using to pull together ideas I have for a non-Barclay novel,  provisionally called The Ghost’s Story, which I may write before Claire’s tale continues. That’s my plan anyway.
Thanks for your support and please keep the Amazon reviews of Bad For Good coming.

Stay Bad…


Tuesday, 9 May 2017

Bad For Good out now on Kindle and in paperback

Available on Kindle and as a paperback around the world - the second Barclay & MacDonald novel, BAD FOR GOOD. Enjoy!

You can buy and download the eBook here: or the paperback here:

Wednesday, 29 June 2016

'When She Was Bad' Prologue

I had aimed at his shoulder but it was the side of his head that exploded. So much for shooting to wound rather than kill. Shit. Barclay would be furious.

So I ran. Ran like I’d never run before in my life. Drop the gun? Keep the gun? My fingers felt welded to its grip. I couldn’t let go, the warmth of the metal strangely seductive.


Was she chasing me or seeing to what was left of her fallen lover? I wasn’t waiting to find out, didn’t even turn to see. I just ran. Arms pumping, cheeks puffing, breath already shortening. Run, girl, run.

I turned left, down the dark alleyway that led round the side of the abandoned warehouse. There were no lights, no paving and I stumbled on the uneven surface but I couldn’t stop, I ran as fast as I could, my legs, sides, lungs all protesting at this sudden call to action.

There was wire fencing a few yards ahead. Could I take it in my stride like in the movies? From behind I could hear a shout for me to stop. At least she’d stopped screaming. I slipped the gun into my coat pocket and jumped at the fencing, surprising myself by getting a firm grip with both hands and hauling myself up like I was on an assault course.

‘Stop, bitch!’

Well that’s nice, I thought as I dropped over the other side, my ankle turning slightly on landing but just a tweak. I could understand she was upset, but there was no need to make it personal. I brushed myself down then started to run again, though every muscle was howling for me to slow down. Just too out of condition for this running lark. If it hadn’t been for the adrenaline rush I’d have been finished already.

I could hear the blood hammering in my ears, felt my lungs close to bursting. Any further and I was sure I would collapse. I turned left around another building and then suddenly there was a pool of light ahead, a single streetlamp picking out the familiar Fiat parked at the roadside.

Had he heard the gun shot? Or was Barclay oblivious to the drama I’d suddenly ignited?

‘Barclay!’ I attempted to shout as I neared the car, so short of breath I thought I would die.

He saw me and wound the window down.

‘All go to plan?’ he asked.

‘No it…no it fucking didn’t.’ I fell against the passenger side and wrenched the door open, clambering in.

‘Where’s the money?’

‘What?’ Barely able to speak.

‘The money. Where’s the money?’

‘He’s dead. I shot him. He’s dead. Drive!’


He turned the key and the engine coughed into life. Slamming it into first and flooring the accelerator, we shot off, as fast as the little rust trap could manage.